By Paul Wright
Growing up in Manchester I became aware of Peters Walsh’s images when he was a photographer for City Life Magazine. Peter became immersed in Manchester’s club scene during the UK’s rave and acid house explosion. He captured the spirit of the era as he documented the many faces, bands and fashions that graced the city.
I caught up with Peter to find out more about about his career ahead of his talk at the V&A this Friday as part of events celebrating music and youth culture in the UK.
“I began working as a photographer for a documentary Co-op in Manchester in the mid eighties. I learned how to process films, make contact sheets and black and white printing. The photographers in the Co-op worked individually but would meet once a month to compare and critique each others work and printing skills. The training I received in all aspects of documentary photography during this time would prove invaluable to me as the rave scene hit Manchester just a few years later.”
“Around the same time I began shooting for City Life, Manchester’s equivalent of Time out in London, photographing the burgeoning club scene. After photographing the Happy Mondays gig on Granada TV’s ‘The Other Side of Midnight’ I was asked to work for NME covering the North of England. I also began working regularly for The Face, ID, Mixmag and Muzik magazine.”
“It was a busy time that saw me working constantly through the night to process films from live gigs, selecting the images from contact sheets and printing and sending the photos off to London Euston to meet The NME’s weekly deadline. After a few hours sleep I was usually back in the studio, shooting another band for a feature.”
As a photographer Peter would ago out into the city and document what was happening around Manchester. Nights at The Hacienda including ‘Hot’ and ‘The Temperance Club’, a student night on Thursdays which fused indie, disco and house music. As acid house exploded he knew Manchester and The Hacienda was at the epicentre of a cultural movement. Aside from documenting club culture in the city he also took photos of the many bands that helped define the Madchester scene.
The rave generation, Madchester, whatever you want to call it, it was certainly a revolutionary time in musical and cultural history. On the back of an economically challenging decade and before the onset of mobile phones and the internet, it united a generation. Ecstasy and music brought young people together, friendships were made, ideas were created. All walks of life, from single mums, through to students, council workers and football hooligans, in that moment, in that era, they all came together and embraced each other.
Peter’s photographs from that time are now being documented by Youth Club Archive for the Heritage Lottery Archive Renovation Project. Peter will be discussing his work at the V&A on Friday 30th November. The event is called Friday Late: Rising and is programmed around youth culture.
Youth Culture Archive are curating three rooms for the night in
collaboration with Resident Advisor and Printworks London. Focusing on electronic music, Electric Histories celebrates 30 years since the second Summer of Love. More info here: www.vam.ac.uk/info/friday-late
You can buy prints of the above and many more iconic images directly from Peter here: https://peterjwalsh.myshopify.com
Peter’s Website: http://peterjwalsh.com
All above images used with permission of Peter J Walsh.
Article by Paul Wright for British Culture Archive www.twitter.com/mrpaulwright
2018 © British Culture Archive