By Paul Wright | 28 November 2018, 15:09pm

During his stint at Manchester’s City Life Magazine in the late eighties – photographer Peter Walsh became immersed in Manchester’s club scene, documenting the birth of the UK’s Rave and Acid House explosion. As well as capturing the spirit of the era, Peter documented the many faces, bands and colourful fashions that graced the city as it became a cultural mecca and global export of music and fashion.

I caught up with Peter to find out more about his journey into photography.

Temperence Club night at The Hacienda, 1989. Photo © Peter J Walsh.

Documentary Photography

Peter “I began working as a photographer for a documentary Co-op in Manchester in the mid eighties. I learned how to process films, make contact sheets and black and white printing. The photographers in the Co-op worked individually but would meet once a month to compare and critique each others work and printing skills. The training I received in all aspects of documentary photography during this time would prove invaluable to me as the rave scene hit Manchester just a few years later.”

Temperence Club night at The Hacienda, 1990. Photo © Peter J Walsh.

Happy Mondays

“Around the same time I began shooting for City Life, Manchester’s equivalent of Time out in London, photographing the burgeoning club scene. After photographing the Happy Mondays gig on Granada TV’s ‘The Other Side of Midnight’ I was asked to work for NME covering the North of England. I also began working regularly for The Face, ID, Mixmag and Muzik magazine.”

“It was a busy time that saw me working constantly through the night to process films from live gigs, selecting the images from contact sheets and printing and sending the photos off to London Euston to meet The NME’s weekly deadline. After a few hours sleep I was usually back in the studio, shooting another band for a feature.”

Happy Mondays on ‘The Other Side of Midnight’, Granada Studios, Manchester, 1989.
Photo © Peter J Walsh.

The Haçienda

As a photographer Peter would ago out into the city and document what was happening around Manchester. Nights at The Hacienda including ‘Hot’ and ‘The Temperance Club’, a student night on Thursdays with DJ Dave Haslam that fused, indie, disco and house music. As acid house exploded Peter knew that Manchester and The Hacienda were at the epicentre of a cultural movement. Aside from documenting club culture in the city he also took photos of the many bands and DJ’s that helped shape and define the cities music scene.

The Hacienda, 1989. Photo © Peter J Walsh.

The queue at The Hacienda, 1989. Photo © Peter J Walsh.

The rave generation, Madchester, whatever you want to call it – it was a revolutionary time in musical and British cultural history. On the back of an economically challenging decade and before the onset of mobile phones and the internet, it united a generation. Ecstasy and music brought young people together, lifelong friendships were made, ideas were created. All walks of life, from single mums and students, to council workers and football hooligans. In that time, in that short lived era, they all came together and embraced each other and embraced the music.

Peter Walsh Gallery

Joy Rave. Ashworth Valley, Rochdale, 1989. Photo © Peter J Walsh.

Hot at The Hacienda, 1989. Photo © Peter J Walsh.

The Haçienda dancefloor bathed in pink light, 1988. Photo © Peter J Walsh.

A Guy Called Gerald and Graham Massey (808 State) on The Other Side Of Midnight, Victoria Baths, 1988. Photo © Peter J Walsh.

Dancefloor at The Boardwalk Manchester, 1991. Photo © Peter J Walsh.

Dancefloor at The Haçienda Manchester, 1988. Photo © Peter J Walsh.

Tony Wilson at The Haçienda with architect an Hacienda interior designer Ben Kelly, 1988. Photo © Peter J Walsh.

Happy Mondays Bez and Paul Davis (PD) with Tony Wilson at The Haçienda, 1989. Photo © Peter J Walsh.

The Haçienda dancefloor, 1988. Photo © Peter J Walsh.

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