In 1991 photographer Richard Davis took his trusty camera around the football grounds of the North West of England taking snapshots of football fans for a book entitled Football with Attitude.
The project also took Richard over to Holland where Manchester United fans had made the away trip to Rotterdam to watch their team take on Barcelona in the European Cup Winners’ Cup final.
Written by the late and much missed Steve Redhead (professor rave) the book examines the crossover of football, popular music and youth culture. It’s a well written and informative book from an era when the attitude, music and fashions of the late eighties and early nineties spilled over to the terraces.
The book also looks at Fanzine culture at clubs and how it was (and still is) a huge influence on supporters.
One of the fanzines is Liverpool’s groundbreaking The End. First published in 1981 The End differed from many other fanzines at the time as it featured articles on topics beyond football. There were articles about music, gig reviews, fashion, trends and politics, what’s in? and what’s out?. It became an essential cultural guide and influenced fans long before the days of football forums and social media. It also directly inspired many other fanzines of the era – including the London based music fanzine Boys Own.
The below words by Steve Redhead provide a brief insight into the book and Richard’s accompanying photography.
“Football With Attitude examines the changing contemporary relationships between football, popular music and youth culture – in short, football fandom as pop culture”.
“The photographs from the book provide snapshots of the forever-changing channels of football into music, and music into football. They portray a supporter culture where, increasingly, young football fans are music fans and vice versa: visually they are often indistinguishable”.
“Many of those involved in the music industry (writers, producers, DJ’s and musicians) are obsessive football fans themselves. Moreover, football-related popular music is no longer the lowest of low art, but right at the cutting edge of dancefloor sounds”.
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