Mark Pinder | Easington Colliery, 1980s-90s

Mark Pinder (b.1966, Barrow In Furness, Cumbria) is a British documentary and editorial photographer living near Newcastle upon Tyne. After studying Documentary Photography at Newport College of Art, he returned to the North East of England in 1987 and began freelancing for a wide variety of news and current affairs outlets. Alongside his editorial work, he has pursued a long term personal project exploring the social, political and economic changes that his home region has undergone over the subsequent three decades.

Mark began to photograph Easington shortly after the Miners’ Strike of 1984-5, documenting the impact pit closures had on the local community and the many ordinary lives that were forced into hardship by de-industrialisation and neglect.

Easington Colliery, 1980s-90s.
Easington Colliery, 1989.

Photo © Mark Pinder.

Mark “A photo from my archive of Easington Colliery, shot in 1989. The pit that gave the village its name can be seen on the horizon. It was closed down by Michael Heseltine in 1993. The site in now a nature reserve. 

Easington Colliery, 1980s-90s.
Coal Picker on Easington Beach, 1987.

Photo © Mark Pinder.

Mark “This photo was shot in July 1987. My practise as a photographer has always been an exploration which both informs and has  been informed by my own politics, and having spent most of my life living in the NE of England, documenting places like Easington and seeing the social consequences of deindustrialisation and neglect, it has given me a perspective which often doesn’t fit well into the ‘liberal’ mindset. I voted remain in the EU referendum of 2016, not out of any particular love for a European project that needs reform. As the culture wars around Brexit became increasingly ugly, I watched in dismay as the issues became more and more polarised as the fundamentalists on both sides of leave and remain tore chunks out of each other in an ever more brutal game of winner takes all. When the remainers started to wheel out characters like Michael Heseltine or Blair as hero’s of remain, the man who helped destroy the communities of East Durham when he finally shut the pits in the early 90s, I realised just how out of touch and insensitive they’d become. The kind of insensitivity to the lived realities of so many that allowed the ugly political narratives of Trump or Johnson to take hold amongst so many to whom being lectured on their stupidity by a man who destroyed their communities and left them scavenging the beach for coal looked like a sick joke. We were played for suckers over Brexit.”

Easington Colliery, 1980s-90s.
Coal Pickers on Easington Beach, 1987.

Photo © Mark Pinder.

Mark “Men collect waste coal on the beach at Easington Colliery, County Durham, 1987. Slag and rubbish from the coal washing process at the colliery on the headland above the beach would be dumped onto the beach below. Amongst this waste, there would be lumps of coal, which locals would go and collect for their fires or sell on at £2 a bag.”

“Easington and its terraces was famously used as the backdrop to the film Billy Elliot. Rather heretically, I really didn’t like that film unfortunately in its mawkishness, but that’s just me.” – Mark Pinder. 

Easington Colliery, 1980s-90s.
Easington Beach, 1987.

Photo © Mark Pinder.

Mark “I only shot 16 rolls of film between 1987 and 1986 on this particular project. In this day and age when with digital, you can shoot the equivalent of 5 rolls on a headshot, the idea of having 8 or 9 very different photos on a roll of 36 seems an anachronism? Might also have been the fact that I had very little money in those days?.”

Easington Colliery, 1980s-90s.
A man and his dog collects waste coal on the beach at Easington Colliery, County Durham, 1987.

Photo © Mark Pinder.

Easington Colliery, 1980s-90s.
Kids riding motorbikes on the beach at Easington Colliery, 1996.

Photo © Mark Pinder.

Easington Colliery, 1987.
Easington Colliery, 1989.

Photo © Mark Pinder.

Easington Colliery, 1980s-90s.
Boys playing football in the street next to Easington Colliery, 1991.

Photo © Mark Pinder.

Easington Colliery, 1980s-90s.
Easington Colliery, 1996.

Photo © Mark Pinder.

Easington Colliery, 1980s-90s.
A bricked up terraced house, Easington Colliery, 1992.

Photo © Mark Pinder.

Easington Colliery, 1980s-90s.
Easington Colliery, 1987.

Photo © Mark Pinder.

Easington Colliery, 1980s-90s.
Easington Colliery, 1987.

Photo © Mark Pinder.

Mark “A man carries home a bucket and sack of coal he has scavenged from the beach at Easington Colliery. The mine that gave the village its name in the background.”

Gallery first published 4th April, 2023 © Mark Pinder / British Culture Archive. All rights reserved. 

MARK PINDER WEBSITE

All images © Mark Pinder, all rights reserved. No usage or reproduction of any kind without prior permission of the copyright holder.

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