Tish Murtha documented the daily life and struggles of her own community of Elswick, Newcastle-upon-Tyne during the economic recession of the early Thatcher years. Her incredible photography is an important documentation of working class lives and social inequality still relevant in the present day.
The brilliant photographic essay ‘Youth Unemployment’ put together in 2017 by Tish’s daughter Ella and released by Bluecoat Press was the highlight of the year for us, so when we heard about a forthcoming photo book focusing on Tish’s work in the Elswick area we were keen to find out more.
Ella “My mam believed that photography could change lives for the better, but sadly died in 2013 before her dream of a book could be realised. In 2017 I ran a Kickstarter campaign in collaboration with Bluecoat Press to publish Tish’s acclaimed photographic essay Youth Unemployment. The book was an amazing success, selling out as limited edition hardback within three months”.
“Following the success of the book, the Photographers Gallery in London held a major retrospective of Tish’s work and she is now widely recognised as one of the most important British documentary photographers of her time.”
“The new book is her work centred around Elswick, Newcastle upon Tyne, in the late 1970s, when she first returned from college in Newport. Her images capture the joy and freedom of childhood at a time when it was normal to play out in the street, in a way that has been largely lost today. The landscape may be rough, but the kids are making the most of what little they have. They have a humour and resilience that shines through in every image.”
“I have always loved this series, and the feedback I have received from people visiting the exhibition, is that these images are very special. I love the Elswick Kids, and have really enjoyed looking through the archive and almost travelling back in time with each image. The kids are always outside, and you very rarely see an adult, or cars (unless abandoned, burnt out and used as play equipment) plenty of dogs though. It is just another lifetime entirely. I was born later than these kids, in 1984, but I remember going out after breakfast in the holidays, exploring and having adventures all day, and only coming home if I got hungry, or it was dark.”
“My mam exhibited her Juvenile Jazz Bands (1979) and Youth Unemployment (1981) series, around the same time she also documented the campaign to save Scotswood Works. She was also commissioned by Tyneside Housing Aid Centre in conjunction with Shelter to make reports on children living in poverty and housing problems faced by the elderly”.
“These pictures of the Elswick Kids came first, and while it was never an exhibition, and there is no text from Tish, they were obviously very important to her, and that makes them important to me. I feel the series is strong enough to stand alone, and deserves it’s own book”.