The 1990s was a transformative decade in Britain, a period that bridged the analogue past and the digital future. It was the last era before mobile phones and the internet reshaped the way we lived, communicated and experienced culture.
Politically, it was marked by a turning point: the end of 18 years of Conservative government and the arrival of New Labour in 1997, ushering in a renewed sense of optimism and national identity. This energy was mirrored in the cultural landscape, where music, film, fashion and the visual arts came to define Britain on the world stage.
The decade carried forward the energy of rave and dance culture, while Britpop and a resurgent guitar scene dominated the airwaves. British cinema gained new prominence with films such as Trainspotting and Lock, Stock and Two Smoking Barrels, while the Young British Artists challenged convention and redefined contemporary art.
Often framed as the era of ‘Cool Britannia’, the 1990s reflected both a celebration of creativity and the tensions of a rapidly changing society. This exhibition explores the everyday and the iconic through photography, offering a portrait of Britain on the cusp of a new millennium.
Photo © John McMahon/The People’s Archive®
John: “With friends on our way to the ‘Smashing’ club night at Eve’s on Regent Street. Smashing was our regular haunt; we all ended up in two Pulp videos, ‘Common People’ & ‘Mis-Shapes’, after being spotted in the club.”
Photo © Lee Camfield/The People’s Archive®
Lee: “A photo of me and my mate Kendrick Jamming to some Hip-Hop in his brother’s bedsit in Wakefield, West Yorkshire back in the day, circa 1991/1992. Notice his pendant up in the air! Gives you an idea of the moves we were pulling!”
Photo © Keith McColl/The People’s Archive®
Keith: “Another World crew, Belfast 1993. A club night held monthly on Friday nights in The Limelight. A club night set up to break the paramilitary control of the clubbing experience offered at the Art College and the night had an eclectic music policy. All points from Erik Satie to Plastikman. The night had a strict sensory immersive policy, with the crew providing photos and films, which were self-generated throughout the venue. Organic vegetables and flowers grown by the crew were frozen in ice cubes and handed out to clubbers through the night in what they termed an ‘organoleptic’ experience.”
We use cookies to give you the best experience on the British Culture Archive — helping us share photography, stories and print editions that matter. You can adjust your preferences at any time.