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PHOTOGRAPHIC SERIES

Chris Hunt

Wolverhampton, 1975

Made in 1975, Chris Hunt’s Out of Darkness records Wolverhampton during a period of change. Hunt photographed around the Open Market and the Mander Centre, as well as Bilston and Whitmore Reans.

The photographs move between indoor shopping precincts, street markets, shops and surrounding neighbourhoods. Shoppers, traders, shop workers and young people appear alongside record stalls, amusement machines, newspaper sellers and political graffiti. Several images directly register the racial politics visible in the city at the time.

The series belongs to the same early period of Hunt’s documentary practice as Beeton Grove, photographed in Manchester from 1974. Hunt later moved into advertising photography but continued to regard documentary work as his principal photographic interest.

Chris Hunt:

“Before I embarked on a career in advertising photography, I continued taking documentary photos, which is my true passion. This series was about the changing face of Wolverhampton in the 1970s. It documents the city, around the Open Market and the relatively new Mander Centre, completed in 1968. There are some vaguely humorous shots, while also shedding light on the simmering racial tensions of the era.”

BHS, Mander Centre. Wolverhampton, 1975.
BHS, Mander Centre. Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Two men, Mander Centre, 1975.
Two men, Mander Centre, 1975.

Photo © Chris Hunt / British Culture Archive

Bilston, Wolverhampton, 1975.
Bilston, Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Mander Centre, Wolverhampton, 1975.
Mander Centre, Wolverhampton, 1970s.

Photo © Chris Hunt / British Culture Archive

Checkout Girl, 1975.
Checkout Girl. Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Waiting by the shops, Wolverhampton, 1975.
Waiting by the shops, Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Reading the sleevenotes. Wolverhampton, 1975.
Reading the sleevenotes. Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Watching the girls. Mander Centre, Wolverhampton, 1975.
Watching the girls. Mander Centre, Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Playing the machines. Wolverhampton, 1975.
Playing the machines. Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Looking at the boys outside the records shop. Wolverhampton, 1975.
Outside the records shop, Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Newspaper Seller, Wolverhampton, 1975.
Newspaper Seller, Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Spending the housekeeping, Wolverhampton, 1975.
Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Kit Kat man, Bilston, 1975.
Kit Kat man, Bilston, 1975.

Photo © Chris Hunt / British Culture Archive

Albinos Garage, Whitmore Reans, Wolverhampton, 1975.
Albinos Garage, Whitmore Reans, 1975.

Photo © Chris Hunt / British Culture Archive

Window shopping, Wolverhampton, 1975.
Window shopping, Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Pinball Kid, Wolverhampton, 1975.
Pinball Kid, Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Wolverhampton, 1975.
Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Sainsbury's, Wolverhampton, 1975.
Sainsbury's, Wolverhampton, 1975.

Photo © Chris Hunt / British Culture Archive

Photographs © Chris Hunt / British Culture Archive. All rights reserved.

Chris Hunt is represented by British Culture Archive for image licensing and print sales. For editorial, publishing, exhibition and commercial enquiries, visit BCA Image Licensing.

Related BCA

  • Beeton Grove, Manchester, 1970s: Photographs by Chris Hunt
  • Chris Hunt prints and editions

 

Further reading

  • Dalia Al-Dujaili, “Chris Hunt’s testament to community, migration and memory”, British Journal of Photography, 29th April 2025.
  • Beth Abbit, “Nobody had any money, but they were ordinary working people doing their best”, Manchester Evening News, December 2020.

 

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