£150.00
Limited edition print
Part of the BCA Editions Programme: exclusive photographic editions produced in collaboration with photographers and estates.
About the BCA Print Programme ›
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Mark McNulty photographed Andrew Weatherall behind the decks at Voodoo in Liverpool in 1996.
Taken at a pivotal point in Weatherall’s career. Following the end of The Sabres of Paradise, he started working with producer and engineer Keith Tenniswood as Two Lone Swordsmen. Their early releases, included The Fifth Mission (Return to the Flightpath Estate) and Swimming Not Skimming, released through Weatherall’s own Emissions Audio Output label in 1996 which marked a move towards a darker, exploratory electronic sound.
Opening in 1993, Voodoo became a cult club night in Liverpool. Its harder techno nights and regular crowd was a contrast to Cream and the superclub culture of the era. McNulty often photographed Cream before heading over to Voodoo, the night he personally preferred.
Mark McNulty is a Liverpool photographer whose work has documented music, nightlife and popular culture since the late 1980s. Beginning within Liverpool’s independent music scene, he went on to photograph Quadrant Park, Cream and Voodoo, alongside clubs and events across the UK.
During the 1990s, McNulty contributed regularly to Mixmag. i-D, The Face and other publications.
His music archive was the subject of 35 Summers, the first full retrospective of his music photography, shown at Oriel Colwyn in 2022–23. Through British Culture Archive, work from the archive was presented to Tate Britain’s curators and selected for The 90s: Art and Fashion.
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