Price range: £90.00 through £170.00
Johnny Marr photographed by Peter J Walsh backstage at Cities In The Park, Heaton Park, Manchester, 1991.
The portrait was taken shortly before Electronic’s first UK live performance. Formed by Johnny Marr of The Smiths and Bernard Sumner of New Order, Electronic appeared at the two day festival alongside a Factory Records-heavy line-up that included Happy Mondays, A Certain Ratio, The Durutti Column, Revenge and others.
Cities In The Park took place in August 1991 in memory of Factory Records producer Martin Hannett, who passed away earlier that year. Walsh’s portrait captures Marr at a significant moment between the legacy of The Smiths and the emergence of Electronic as one of the defining collaborations of the period.
Peter J Walsh photographed Manchester’s music and club culture during the late 1980s and 1990s while working for City Life magazine and the NME. Embedded within the city’s acid house and rave scenes, he documented the people, fashions, and atmosphere of the The Haçienda at a moment of rapid cultural change.
Alongside his work on the dancefloor, Walsh photographed bands emerging from the same scene, including Happy Mondays, The Stone Roses, and 808 State. His photographs offer a direct, first-hand record of a defining period in Manchester’s cultural history.
All British Culture Archive editions include a white border around the image. Border widths vary between prints, reflecting the original proportions of each photograph.
For presentation, we recommend using a custom-cut mount sized to the printed image area. This ensures the full image, along with any signature and edition details, remains visible.
A professional framer can advise on appropriate mounting, archival materials, and glazing. Prints may also be framed without a mount if preferred, although a mount is typically used for an exhibition-style finish.
British Culture Archive prints and editions are supplied unframed.
All British Culture Archive prints and editions are prepared and dispatched with care. Smaller prints are packed flat using archival materials. Larger works are rolled and shipped in robust tubes designed for fine art transport. Each print is inspected and securely packaged prior to dispatch.
Orders are sent via Royal Mail Tracked. For international deliveries, Royal Mail works with established global partners to ensure reliable delivery.
Estimated delivery times:
• UK: 2-4 working days
• EU and international destinations: 5–7 working days
Tracking details are provided once your order has been dispatched.
All British Culture Archive prints and editions are carefully produced and inspected prior to dispatch. If your order arrives damaged or faulty, please contact us within 28 days of receipt and we will arrange a replacement or refund.
Returns for other reasons may be accepted at our discretion, provided the print is unmarked and returned in its original condition. Please contact us in advance at contact@britishculturearchive.co.uk to arrange a return.
Once a returned print has been received and checked, refunds are processed within 14 days and confirmed by email. Return postage costs are refunded where a print is confirmed to be faulty or damaged.
We recommend retaining proof of postage when returning any item.
USAGE AND RIGHTS
Prints are supplied for personal use only. For exhibition, publication, or commercial licensing enquiries, please contact contact@britishculturearchive.co.uk.
| Print size | A2 – 16.5 × 23.4 in (42 × 59 cm), A3 – 11.7 × 16.5 in (30 × 42 cm) |
|---|