Adam T. Burton’s photographs document Hulme during a pivotal period in the history of the Crescents. Made between 1984 and 1987 while he lived at 138 John Nash Crescent, the work records the estate after many of its original residents had left but before the student, squatter, music and artist communities associated with later Hulme had fully developed.
Working from within the estate rather than as a commissioned photographer, Burton photographed everyday life, architecture, demonstrations and the changing social landscape around him. Together, the photographs form an important first-person record of one of Manchester’s most significant post-war housing developments during its final years before demolition.
Photo © Adam T. Burton / British Culture Archive · Licensing available
Photo © Adam T. Burton / British Culture Archive · Licensing available
Photo © Adam T. Burton / British Culture Archive · Licensing available
Photo © Adam T. Burton / British Culture Archive · Licensing available
Adam T. Burton’s Hulme photographs form part of British Culture Archive’s wider documentation of the estate across several decades. The archive also includes David Chadwick’s photographs of the Crescents during their early years, Anne Worthington’s work from the estate’s final period, and Al Baker’s photographs made after redevelopment.
Together these archives provide one of the most comprehensive photographic records of Hulme’s transformation from post-war housing experiment to demolition and regeneration.
For licensing and usage enquiries please email: contact@britishculturearchive.co.uk